Orchestral Literature for String Instruments - MUS 568
Instructor: Jody Gatwood Fall 2000
Instructor: Jody Gatwood Fall 2000
| DATE | VIOLIN EXCERPTS TO BE PERFORMED IN CLASS |
VIOLA EXCERPTS TO BE PERFORMED IN CLASS |
CELLO EXCERPTS TO BE PERFORMED IN CLASS |
BASS EXCERPTS TO BE PERFORMED IN CLASS |
INTONATION AND RHYTHMIC TRAINING |
SIGHT READING | DISCUSSION, READING & LISTENING |
AUDIO/VIDEO RECORDING PROJECTS (due dates) |
| Aug. 30 | - |
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Beethoven: Sym. #3 mvt. 2 beginning to bar 154 | TBA | Orientation | - |
| Sept. 6 | Beethoven: Sym. #3 mvt. 1 bars1-83, 567-580, mvt. 4 bars 76-116, 266-315 | Beethoven: Sym. #3 mvt. 1 bars 647-end, mvt 4 60-75, 98-103, 278-328 | Beethoven: Sym. #3 mvt. 4 bars 44-107, Presto to end | Beethoven: Sym. #3 mvt. 4 bars 84-107, Presto to end | Beethoven: Sym. #3 mvt. 3 beginning to 1st ending | TBA | Traditions: Furtwangler |
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| Sept. 13 | Brahms: Sym. #4 mvt. 2 bars 41-49, 74-87, mvt. 4 bars 33-80, | Brahms: Sym #4 mvt. 2 bars 30-39, 64-80, 106-109 mvt. 4, bars 41-56, 73-77 | Brahms: Sym. #4 mvt. 2 bars 74-87, mvt. 4 bars 41-80, bars 161-177, 209-225 | Brahms: Sym. #4 mvt. 2 bars 74-87, mvt. 4 bars 161-177 | J. S. Bach: Chorales "Werde munter, meine Gemüthe", "Mit Fried' und Freud' ich fahr' dahin" | TBA | Traditions: Toscanini |
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| Sept. 20 | Mendelssohn: Scherzo Midsummer 8 bef. A to 7 after D | Mendelssohn: Scherzo Midsummer 8 bef. A to 7 after D | Mendelssohn: Scherzo Midsummer C to D, N to O | Mendelssohn: Scherzo Midsummer | Brahms: Variations on a Theme by Haydn: Variations 1, 3, 7 | TBA | Tales of George Szell's Concertmaster | - |
| Sept. 27 | Beethoven: Sym. #2 mvt. 1 exposition | Beethoven: Sym. #5 mvt 2, 1-10, 23-37, 49-59, 72- 86, 97-105, mvt. 3: C Major sect. (all) |
Beethoven: Sym. #5 mvt. 2 bars 1-10, 49-59, 97-105, 113-122 mvt. 3 1-18, 141-196 | Beethoven: Sym. #5 mvt. 2 bars 113-122, mvt. 3 1-18, 141-196 | Beethoven: Sym. #5 mvt. 3: C Major sect. (all) | TBA | The Rise of Early Music |
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| Oct. 4 | REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
Beethoven: Sym. #5 mvt. 2 complete | TBA | Musicians under stress: 1986 ICSOM study | Project 1 due 2:10 PM Oct. 4, 2000 |
| Oct. 11 | Brahms: Sym. #4 mvt 1, bars 392-end, mvt. 3, bars 1-44, 294-end | Brahms: Sym #4 mvt. 1 bars 351-367, mvt. 3, bars 1-19, 125-155, 294-end | Brahms: Sym. 4 mvt. 1 bars 1-18, 45-73, 114-136, 184-204, mvt. 3 bars 1-19, 125-155, 307-317 | Brahms: Sym. 4 mvt. 1 bars 206-218, mvt. 3 bars 1-19, 125-155 | J. S. Bach: Chorales "Es ist genug: Herr, wenn es dir gefällt", "O Ewigkeit, du Donnerwort" | TBA | American Orchestras face an Identity Crisis | - |
| Oct. 18 | Prokofiev: Classical Sym. mvt. 1, beginning to H, mvt. 4, beginning to H | Prokofiev: Classical Sym. mvt. 1 bars 13-15, 52-56, mvt. 4 (tba) | Prokofiev: Sym. 5 mvt. 2 rehearsal no. 55-56, mvt. 4 reh. no. 79-80 | Stravinsky: Pulcinella | Stravinsky: le Sacre du Printemps: Sacrificial Dance | TBA | Early Music Invades Romanticism | - |
| Oct. 25 | Mozart: Sym. #35 mvt. 4, bars 110-181 | Mozart: Sym. #35 mvt. 1 bars 1-35, 59-66 mvt. 4 bars 134-181 | Mozart: Sym. #35 mvt. 1 bars 1-35, 59-66 mvt. 4 bars 134-181 | Mozart: Sym. #35 mvt. 1 bars 1-41, 59-66 mvt. 4 bars 134-181 | Mozart: Sym. #35 mvt. 4 bars 134-181 | TBA | Economics of Orchestral Life Today | - |
| Nov. 1 | REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
Strauss: Don Juan rehearsal D to G | TBA | CDs and the Cult of Perfectionism |
Project 2 due 2:10 PM Nov. 1, 2000 |
| Nov. 8 | Strauss: Don Juan beginning to rehearsal D, H to K, Q to U (4th bar) | Strauss: Don Juan bars 1-7, rehearsal A to D, R to S, | Strauss: Don Juan bars 1-7, rehearsal letter A to D, R to T | Strauss: Don Juan, rehearsal letter F to G, O to P, R to S | J. S. Bach: Chorales "Herzlich thut mich verlangen", Ach Gott, vom Himmel seih' darein" | TBA | The Artistry of Today's Orchestras |
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| Nov. 15 | Mozart: Sym. #39 mvt. 4, bars 1-41 | Mozart: Sym. #39 mvt. 4, bars 125-137 | Beethoven: Sym. #8 mvt. 3: Trio | Beethoven: Sym. #7, mvt. 1 bars 184 to 217 | Beethoven: Sym. #7 mvt. 1 bars 84-285 | TBA | Audition Preparation: Confronting Current Realities | - |
| Nov. 22 | Schumann: Sym. 2 mvt. 2 bars 1-48 | Tchaikovsky: Sym. #6 mvt. 1 bars 1-80 | Tchaikovsky: Sym. #6 mvt. 3 rehearsal E to H (6th bar) | Beethoven: Sym. #9 mvt. 4 bars 8-29, 23 bars before Maestoso | Tchaikovsky: Sym. #6 mvt. 1 1-88 | TBA | Minimizing Technique Abrasion in Orchestral Playing | - |
| Nov. 29 | Prokofiev: Romeo and Juliet: Presto precipitato e con brio | Berlioz: Roman Carnival Ov. bars 37 to 53 | Brahms: Sym. #2 mvt. 1 bars 350-369, mvt. 2 bars 1-15, | Verdi: Otello | Beethoven: Quartet Op. 135 mvt. 2 (to dbl. bar), mvt. 3 | TBA | Orchestra Gossip: a Two Edged Sword | - |
| Dec. 6 | REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
REPEAT OF PREVIOUS EXCERPTS |
Schumann: Piano Concerto mvt. 1 | TBA | The Future of the Orchestra |
Project 3 due 2:10 PM Dec. 6, 2000 |
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