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Publications Related to CANTUS

Some CANTUS indices have been published in book form:

Each book includes an introduction that describes the manuscript and certain features of the chants it contains. Additional volumes in preparation include indices of Paris, Bibliothèque nationale, lat. 15181 and 15182 (introduction by Rebecca A. Baltzer). The publisher of the series is The Institute of Mediaeval Music, 1270 Lampman Crescent, Ottawa, Ontario, Canada K2C 1P8; the volume containing the Sarum antiphons was published by the Plainsong and Mediaeval Music Society (London) and the Bamberg index is available from the project director.

Some CANTUS indices may be utilized in conjunction with facsimile reproductions of the corresponding manuscripts:

  • National Library of Wales MS. 20541 E: The Penpont Antiphonal. With an Introduction by Owain Tudor Edwards. Publications of Mediaeval Musical Manuscripts, 22 (Facsimile Reproduction of the Manuscript). Ottawa: The Institute of Mediaeval Music, 1997.

  • Utrecht, Bibliotheek der Rijksuniversiteit, MS 406 (3.J.7). With an Introduction by Ike de Loos. Index by Charles Downey. Ed. Ruth Steiner. Publications of Mediaeval Musical Manuscripts, 21 (Facsimile Reproduction of the Manuscript). Ottawa: The Institute of Mediaeval Music, 1997.

  • Antiphonarium: Karlsruhe, Badische Landesbibliothek, Aug. perg. 60, Farbmikrofiche-Edition. With an Introduction by Hartmut Möller. Codices illuminati medii aevi, 37. Munich: Helga Lengenfelder, 1995.

  • Antiphonaire monastique, XIIIe siècle: Codex F. 160 de la Bibliothèque de la Cathédrale de Worcester. Paléographie musicale, ed. Dom André Mocquereau, 12. Solesmes: Abbaye Saint-Pierre, 1922; reprint, Bern: Herbert Lang, 1971.

Reviews of CANTUS Publications

Cambrai 38 and Impr. XVI C4
  • Marie-Noël Colette. Review of Two Cambrai Antiphoners: Cambrai, Médiathèque Municipal, 38 and Impr. XVI C 4: Printouts from Two Indices in Machine-Readable Form, by Barbara Haggh et al. In Scriptorium 51 (1997): 101.

Linz 290
  • Markus Krafczinski. Review of A Monastic Breviary of Austrian Provenance: Linz, Bundesstaatliche Studienbibliothek 290 (183): Printouts from an Index in Machine-Readable Form, by Martin Czernin. In Beiträge zur Gregorianik 22 (1996): 137-39.

Piacenza 65
  • Andrew Hughes. Review of Piacenza, Biblioteca Capitolare, 65: Printouts from an Index in Machine-Readable Form, by Keith Glaeske et al. In Speculum 70 (1995): 372-75.

  • Michel Huglo. Review of Piacenza, Biblioteca Capitolare, 65: Printouts from an Index in Machine-Readable Form, by Keith Glaeske et al. In Scriptorium 69, no. 2 (1994): 154.

Toledo 44.2
  • Andreas Haug. Review of An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2: Printouts from an Index in Machine-Readable Form, by Ronald T. Olexy et al. In Die Musikforschung 47 (1994): 312.

  • Sarah Fuller. Review of An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2: Printouts from an Index in Machine-Readable Form, by Ronald T. Olexy et al. In Speculum 69 (1994): 862-63.

  • Carmen Rodriguez Suso. Review of An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2: Printouts from an Index in Machine-Readable Form, by Ronald T. Olexy et al. In Revue de musicologie 79 (1993): 380-81.

  • Michel Huglo. Review of An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2: Printouts from an Index in Machine-Readable Form, by Ronald T. Olexy et al. In Scriptorium 68, no. 1 (1993): 5.

Sarum Antiphoner
  • Paul Fugler. Review of Frere's Index to the Antiphons of the Sarum Antiphonr: An Expanded Version, by Lila Collamore and Joseph P. Metzinger. In Plainsong and Medieval Music 1 (1992): 104-106.


These pages were designed by Charles T. Downey / downeyc@cua.edu.
Last updated May 7, 1998.