
Links: Tragedy and New Opera (A Work in Progress)
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Links to sites about productions of Greek tragedy
The Archive of Performances of Greek and Roman Drama at the University of Oxford
This Archive is an excellent resource for researchers, as an inter-disciplinary research project which seeks to gather information on all known productions of Greek and Roman drama.
A historical listing of operas based on the Oresteia
Title Composer Date of Premiere
1. Oresteia, Sergei Taneyev (1856-1915) Oct. 29, 1895
opera in in 3 acts Mariinsky Theatre, St. Petersburg
Russian Libretto by A. Wenckstern, after Aeschylus
Comments: Taneyev's Oresteia sets each of the three tragedies of Aeschylus' trilogy, one tragedy per act. The libretto is reasonably faithful to Aeschylus' original, though severe cuts are made. In addition, many lines not in Aeschylus are added to the libretto. The order of events in Agamemnon (Act I) is slightly changed, as Aegisthus makes an appearance near the beginning of the opera (in the tragedy, he appears only in the final scene).
The cast is as follows:
Agamemnon, bass
Clytemnestra, contralto
Aegisthus, baritone
Cassandra, soprano
Elektra, soprano
Orestes, tenor
Apollo, baritone
Pallas Athena, soprano
Sentinel (Watchman), bass
Judge of the Areopagus, bass
Slave, bass
Title Composer Date of Premiere
2. Agamemnon Darius Milhaud (1892-1974)
French libetto by Paul Claudel, after Aeschylus
Comments: Milhaud's Agamemnon is the first in his trilogy of short opera-oratorios based on Aeschylus' Oresteia. Correspondence between composer and librettist testifies to the accuracy of Claudel's setting; much attention was paid to the distinction between lyric and spoken metrical passages, for example. These opera-oratorios are very brief treatments of the subject.
Title Composer Date of Premiere
3. Les Choephores Darius Milhaud
French libetto by Paul Claudel, after Aeschylus' The Libation Bearers
Title Composer Date of Premiere
4. Les Eumenides Darius Milhaud
French libetto by Paul Claudel, after Aeschylus' The Eumenides
Title Composer Date of Premiere
5. Oresteia: Memory Theatre Liza Lim (b. 1966)
(Opera) in Seven Parts
Text devised by Liza Lim and Barry Kosky, with reliance on an English translation of the Oresteia
by Tony Harrison (1981).
Cast:
Vocal -
Soprano
2 mezzo-sopranos
Male soprano
Tenor
Baritone
Instrumental -
piccolo/alto flute
oboe/English horn
clarinet/bass clarinet
trumpet/piccolo trumpet
trombone
Turkish baglama saz
electric guitar
viola/viola d'amore
cello
double bass
percussion
Recording: Elision Ensemble, 1993 DISCHI RICORDI, Milano, 1994. CRMCD 1030.
Title Composer Date of Premiere
6. JUSTICE Roger Reynolds (b. 1934) May, 1999
2nd Theatre Olympics, Shizuoka, Japan
Commissioned by the Library of Congress, with further support from the 2nd Theatre Olympics.
JUSTICE was given its USA premiere at the Library of Congress on Nov. 30, 2001.
Performers:
Soprano
Actress
Percussionist
Real-time computer sound spatialization
Computer-processed sound
JUSTICE is part of a six-part project entitled "The Red Act Project," within which the composer has assembled texts from Aeschylus and Euripides. The entire set is as follows:
1. The Red Act Arias
2. The Red Act Arias Suite
3. JUSTICE
4. A Crimson Path
5. ...brain ablaze...she howled aloud
6. ILLUSION